Boston Celtic Music festival

The Boston Celtic Music Festival is coming up this year on January 11th and 12th. It's a fine celebration of traditional and innovative work of musicians from the varied Celtic genres. In this clip from BCM Fest 2007, there's Kieran Jordan's innovative Irish dancing (subject of some discussion among you tube commenters) to tunes played by Natalie Haas on cello, Emma Beaton on cello, and Hanneke Cassel on fiddle.

pipes of Christmas

it's promotional video for a pipe band concert. that said, a nice seasonal idea, sound is very well done, bits of several familiar holiday songs on the highland pipes

Christmas Celtic Sojourn: Silent Night & reels

Christmas Celtic Sojourn has become a holiday tradition in Boston. Brian O'Donovan, host of the long running Celtic Soujourn radio show, invites an ever changing cast of Celtic singers, players and dancers to share the holiday celebration with music each year. In 2006, they made a dvd from the show as well as an audio recording.

This is a clip from that taping, with the harmonies of Navan on Silent Night to begin, and then the night turns anything but silent as a stellar group of players including members of the Mulcahy family, along with Paddy League and Shannon Heaton, play for dancers led by Kieran Jordan.

This year's series of live concerts begins December 13th and features Alasdair Fraser, Solas, and Aoife O'Donovan.
Fine music live Celtic music coming to Boston January 11th and 12th at The Boston Celtic Music Festival, bcmfest.com, as well.

Pam Tillis: Beautiful Night

Pam Tillis has always been a maverick as well as a traditionalist in country music. She carries that through on her new Christmas album, with classics like Pretty Paper and with lesser known songs such as this one, Beautiful Night, written by Nashville tunesmith Julie Lee. Tillis' album is called Just in Time for Christmas.

Bob Dylan & the Liverpool Kids

Here's a short - around 10 minutes - BBC documentary on the Liverpool kids who posed with Dylan while he was on the legendary 1966 tour.

"Dylan and Feinstein [the photographer] just seemed to have stumbled into what amounted to a kids' playground. They were all out in the streets because their parents were probably watching Everton in the Cup Final that day. It was such a clash of 1960s culture. The kids looked like Victorian street urchins and Dylan looked like a man from Mars with his loud shirt and wild hair - that's what fascinated me." Link to story.

You can find the photo in the booklet of the Live 1966: The "Royal Albert Hall" Concert CD. Dylan fan Chris Hockenhall tracked 9 of the 10 kids 40 tears later for the documentary.

Eddi Reader: Willie Stewart

A while back I posted a link to a very fine and very restrained video of Eddi Reader doing the Robert Burns song My Love is Like a Red Red Rose. Very nice stuff, but you sort of expected the members of the Royal Scottish National Orchestra to pop up from behind the rocks. This clip, however, is Eddi live in full throttle at a festival -- with back up musicians who are equally fine, including the amazing John McCusker on fiddle -- on a lively Burns song, Willie Stewart. Reader says one of her thoughts in doing Burns music (she's a Scot, as of course, he was, and she's done his work with orchestras and as well as in more informal settings) is to do it the way someone might might have sung the songs in a pub in the 18th century, and you just happened upon it.

Jigs at a session

Just a bit of the lively craic and lively music you might find at an Irish tune session, especially if your players happened to be some really top ones.
Robbie O'Connell, Mick Moloney, Dana Lyn, Brendan Callaghan, and Athena Tergis play a set of jigs at a benefit for St. Malachy’s School in Philadelphia. This clip is a bit over seven minutes long and the gig took place just a few days back.

I'm Not There - International Trailer

It's a good thing Kerry also posts on SoT or we'd risk becoming the Series of Dylans. But, here's a nice riff on the cue card scene - yet again - first featured in Don't Look Back. All the Dylans take part.

Mary Black: song for Ireland

Her early career as the singer with the group De Dannan helped establish Mary Black's reputation and presence, especially outside Ireland. The very first song she recorded with them was Song for Ireland. It's a piece she's sung in many other places including during the peace process in Northern Ireland, at Stormont. Here she joins De Dannan to revisit the song.

Short profile of Mary Black, somewhat of an excerpt from the longer documentary Still Believing. Once you get past the long opening graphic,there's a fine bit of conversation and music from one Ireland's most well known singers. It's about 6 or 7 minutes long.

Once Upon a Time - Latest" I'm Not There" trailer

What more can be said?

Sterling Harrison - Rainbow 65

I've justed posted a Dreamtime article on the late Sterling Harrison, the best soul singer you never heard of. Here's Mr. Electrifying at his home base, M&M Soul Food, way down deep in South Central L.A., singing the Gene Chandler classic, Rainbow 65. The 9-minute+ clip will probably have you - like me - desperate to see and hear Harrison in a better quality video, but we have to take what we have.

One of the delightful things about this clip is the interaction between Harrison and the audience, with one person providing backing vocals to Harrison's mock annoyance. Outside of soul and rhythm and blues, Harrison entertained his audience with jokes so blue they would have made Redd Foxx blush, and impressions of celebrities ranging from Moms Mabley, Al Green and Ray Charles to Ed Sullivan, Paul Lynde and Richard Nixon. And all the while he milked the room for dollar tips, giving the crowd their money's worth.

Babulu and Cuban Pete - Desi Arnaz and Lucille Ball

"Ricky Ricardo" and his signature song, the paean to the Santeria deity, Babalu Aye. Arnaz began his career as a professional musician in 1936 and for a time was in Xavier Cugat's popular Afro-Cuban band of the 1940s. Arnaz would describe Cugat - who would be better known in later years for his May-December marriage to coochie-coochie girl Charo - as a "world-class cheapskate." Arnaz would go on to form his own musical group in Miami, where he would introduce the Conga dance craze and the Conga Line to America.

My other favorite song of Arnaz's is Cuban Pete, which he originally performed in the 1946 movie of the same name, and which he and Lucille Ball (her in the role of "Sally Sweet") would use to great effect in the road tour they created to convince studio execs that their I Love Lucy concept was worth backing. Jim Carrey's campy version of what was already a tongue-in-cheek novelty number was showcased in 1994's The Mask.

Melanie Safka - Ruby Tuesday

Here's Melanie Safka, better known simply by her first name, doing a pretty live cover of The Rolling Stones' Ruby Tuesday. If you follow Dreamtime, you might see I'm walking through days of the week a la Theme Time Radio Hour, and yesterday posted the Stones doing their original on The Ed Sullivan Show. That prompted reader TarBabyJim to mention Melanie's version, which I sought out on YouTube and from the available choices, thought this one from 1982 the best.

Jim runs a site - letherin.org with the proposed intent of seeing Melanie inducted into the Rock and Roll Hall of Fame. A worthwhile goal for a lady who deserves the recognition. Melanie was the first female performer to have three Top 40 hits concurrently - Brand New Key, Ring The Living Bell and The Nickel Song - and was Billboard's #1 Top Female Vocalist for 1972.

Happy Birthday, Thelonious Monk!

Thelonious Sphere Monk - October 10, 1917 – February 17, 1982.

I first discovered Monk while in college, purchasing an economy "twofer" double-album compilation of his music purely on a whim and the fact that I had $10 burning a hole in my pocket. After ah, indulging in substances of unknown origin, I spent that entire night listening to those two albums over and over again. Eventually, I realized that the two LPs hadn't somehow miraculously generated over seven hours of music, but that I was hearing new things each time I replayed one of the cuts.

I found that the same thing happened even when I wasn't stoned, and became a Monk fan for life.

Hot fiddlin' from Altan

The band Altan, from County Donegal in the west of Ireland, celebrated their twenty first year as a group in 2006 with a fine birthday concert in Scotland at the Royal Glasgow Concert Hall. If you click the tag Altan over there on the list to your right, you’ll find a clip of them playing there, with Mary Black joining in.

This video segment finds them in an informal mode, informally shot too, at Ballyshannon, County Donegal, earlier this summer. And just when you are thinking, Mairéad, aren’t you ever going to play? she does, and shows why she and the band are the best in the business two decades on and counting -- and the other members of the band were doing a great set before she started in, too. Even if you’re not so interested in Irish music, the energy and connection and spirit among the band members is great to enjoy.

Celtic Colours

The Celtic Colours Festival starts tomorrow on Cape Breton, Nova Scotia.This fesitval of Cape Breton and music from other Celtic lands takes place from 5 through 13 October this year, with appearances from the Chieftains, Dougie MacLean, Buddy MacMaster, Fiona and Ciaran MacGillvray, and loads more fine musicians in venues across Cape Breton. Cape Breton music is a style rooted in Scotland and shaped by Atlantic Canada. It's a festival, and a place, well worth visitng for the warmth of the people and the music -- though not always, in October, the weather... more at the festival's website, including ticket sales, transport information, and artist schedules.

photos above: Greg Anderson, Cathie Ryan, and Hanneke Cassel play the after hours festival club in St. Anne's, and Kathryn Tickell and Julian Sutton take the stage at the Marine Terminal, Sydney

in this video, Scots musician Karine Polwart and others talk about the character of the festival

I'm Not There (But You're Getting Closer)

A longish, 7-minute clip from I'm Not There, originating from Italy, where the film has already been aired. You may want to follow this link back to YouTube - or pause it and wait for it to load entirely - before viewing.

It's easy to make a prediction about reactions when the film sees full release - it will be loved by Dylan fans, like me, who know the story and the legends so well that we're like a bunch of ancients listening to a recitation of The Odyssey. We know about the 10-year voyage, the trials, the return already. We don't listen for the story. We listen because it is the story.

The general reaction will be that it's confused, senseless, boring, impenetrable, chaotic, self-referencing, unapproachable, yadda, yadda. Except for Cate Blanchett, of course, who already seems to have become the Teflon Doll of I'm Not There. And that's okay. It's not for them. It's for us.

I've just watched the clip once, but I already love the "Dylan Goes Electric" scene (and notice the white sound wash of noise - following the story that much of the audience was booing because the sound mix was so awful). And Christian Bale does more than a creditable job as the Gospel-era Dylan, preaching and singing in what seems to be a grammar school auditorium.

It's always nice to have something Dylanesque to look forward to. Chances are I'll never see I'm Not There in the thea-tah, but I'll be first in line for the DVD.

John Primer and Buddy Guy at Legends

One of my favorite music sites, Pandora, has gotten into the music video business. Here's one of their first clips from their "Great Places to See Live Music" series, on Buddy Guy's Legends.

Over at our Sister Site

Episode 41 - And the Angels Sing, on four forgotten singers of rockabilly, R&B, and blue-eyed soul.


If you have any information on Fay Simmons at all, please write to Dreamtime!

And more on subject: if you haven't seen the Dr. Jive brings the Apollo to Ed Sullivan video over at Dreamtime, and you want to get an 8-minute education on what a classic `50s Apollo show was like, go check it out. Featured in the jam-packed session are Bo Diddley, LaVern Baker, the Five Keys doing a very politically incorrect Ling Ting Tong, and Willis "Gator Tail" Jackson's Orchestra, whose closing set just about burns down Studio 50.

Collins Kids - Rock Boppin' Baby

Larry and Lorrie Collins with a steamy Rock Boppin' Baby. Lorrie has just turned 16, and Larry is 14. Dig Larry's double-neck Mosrite guitar, modeled after his mentor's Joe Maphis.

Lorrie was one of the trio of rockabilly queens of the `50s, which included Janis Martin and probably the best-known of the three, Wanda Jackson. Unlike Martin, who was forced into retirement by a pregnancy at age 17, and Collins, who retired at age 19 after the birth of her first child, Jackson has kept boppin' along both recording and performing into the new millennium - deservedly earning her title as Queen Of Rockabilly. I'll be doing a Dreamtime show on Janis Martin and Lorrie Collins in the near future.

I can't watch Lorrie Collins without thinking of the young Ann-Margret, who she closely resembles.

Tish Hinojosa

Austin based musician Tish Hinojosa is a singer and songwriter who carries her experiences as a first generation Mexican American in all her work, and makes the sometimes challenging aspect of including that while not being defined or limited by it work too. It's meant she's had a hard row to hoe in marketing her music, though, with several sorts of record deals with majors and indepedent labels. These two videos show as much about that as they do about the music. They are both songs Hinojosa wrote.

West Side of Town, a song which vividly evokes growing up on the west side of San Antonio, is just Tish and her guitar. The second, I'm Not Through Lovin' You Yet, is a lively piece of music which would belong on any country station's playlist. The video, made while Hinojosa was signed to Warner Brothers, has it its fun aspects, and if you know Austin's geography it surely looks like home in places.


west side of town solo

wb video I'm not through lovin' you yet

It's Raining Dylans

I have to say I like the Mick Ronson remix a helluva lot better when paired with this video. It's like a mini I'm Not There with Dylans throughout the ages.

Btw, you can catch our remix of the classic Subterranean Homesick Blues cue card clip both at our Ground Zero home (where we provide a trip report in 10 cue cards flat), and the Dreamtime blog, where we imagine a Dreamtime video promo... if we only had the do-re-mi.

What Graves Have You Seen?

A rare clip from Renaldo and Clara. via our friend, AllenGinsbergOM and http://allenginsbergmovie.com

Gretchen Peters: Burnt Toast & Offerings

You might know Gretchen Peters by her songs rather than her name, at first: Faith Hill's The Secret of Life, Martina McBride's Independence Day, George Strait's Chill of an Early Fall, Bonnie Raitt's Rock Steady, Trisha Yearwood's On a Bus to Saint Cloud are just a handful of the literate, thoughtful, and thought provoking songs which Peters has written. Most of them, as the best songs usually are, are experience filtered through art, but in Peters' case most of that was imaginative and narrative experience -- which, in a way, both prepared her and didn't for the subject matter of the songs on her latest solo recording, Burnt Toast and Offerings. It's the landscape of her own divorce, the ending of a long marriage.

Sunday Morning (Up and Down My Street) is a very fine example of Peters' skill at evoking place and emotion with a clarity that lingers after the song is done. It is a live performance from the CD release gig at 12th and Porter in Nashville on August 9th. The song is also a good clue that the songs on this record are more varied and complex than the idea of 'divorce record' would suggest.





In the clip below, Peters talks about the making of the record.
There's a review of the album itself here.

Emmylou Harris, Dolores Keane, & Mary Black: Sonny

From the Bringing It All Back Home sessions in 1990 in Nashville. An early celebration of the connections between American country music and the music of Ireland, this project brought several Irish musicians, including Mary Black and Dolores Keane, to Music City for collaborations with the likes of Harris and John Prine. This is a really grim song, not one of my favorites at all in the history of grim Irish family dreams gone wrong songs, but it's worth the listening to hear the three sing togther. The back up band has some well known players, too: see if you can name them. And though the song itself sounds very traditional, it was actually written by Canadian songwriter Ron Hynes.

Harris, by the way, has new box set due out in a couple of weeks. A career retrospective for which she was involved in selecting the tracks, it is called Songbird,

Shine A Light - Trailer

Posted Aug 20, 2007

Academy Award-winning filmmaker Martin Scorsese and the world's greatest rock 'n roll band, The Rolling Stones, unite to bring audiences the musical film event, "Shine A Light," a look at The Rolling Stones, the band that defined the very idea of what a rock & roll band is, live through the eyes of Scorsese.

The trailer doesn't look bad - which doesn't mean all that much, of course, since you know you're in deep trouble when even the trailer looks bad. But, Scorsese is going to have to pull out all stops to make this more memorable than the definitive Stones documentary, Gimme Shelter.

Thoughts that occurred while watching: You think Jagger has aged really well until you see that clip of a fey, elfin Mick from the `60s, a proof point of why even characters from Hair wanted to sleep with him; I laughed out loud when I heard the line about him bursting into flames if exposed to strong light for more than a few moments... I thought that would have been Keef.

Cathie Ryan: Hard Times

The Cathie Ryan Band:Hard Times

Cathie Ryan sings Stephen Foster. The quality of the video isn't all that great, but still worth a look-- and listen. "I used to think I had to be either an Irish singer or an American singer," Ryan says."It's taken me quite some time to realize I can be both, I can bring both sides of my experience as an Irish American to my music." Taking on one the great American poet/songwriters and illuminating that connection, without saying a word about any of that, is what comes through here.

I'm Not There Official Trailer

It just looks better and better.

“I may be jumping the gun,” Mr. Weinstein said, “but if Cate Blanchett doesn’t get nominated, I’ll shoot myself.”

Link to NY Times article on I'm Not There.

Allen Ginsberg - King of May

Allen Ginsberg is always welcome at the Series of Tubes, singing or not. Here he does a reading of Kral Majales or King of May, based on a real incident during a trip to Czechoslovakia.

On May 1, 1965, after being deported from Cuba (triggered by his calling Che Guevara "cute," according to Ginsberg) Ginsberg visited Czechoslovakia, and was supposedly spontaneously elected King of May by Prague's citizens during an outdoor parade. Celebrating Czech nationalism, the "King of May" election had long been banned by the communist régime and was the first of its kind in 20 years. The ceremony Ginsberg participated in - and may have helped plan - was in fact a carefully planned demonstration by a group of Czech students who would later stage the student uprising of 1968. Ginsberg was reportedly expelled by the authorities from Czechoslovakia several days later. The story was dutifully noted in the international press, but the source - a Czech student newspaper - is suspect, and Ginsberg noted in a later interview that he had planned to leave on that date, so it's problematic as to whether he was officially shown the door.

Sitting next to Ginsberg during the reading is an unfortunately silent Neal Cassady, "Dean Moriarty," in Jack Kerouac's On the Road, and probably by this time one of Ken Kesey's Merry Pranksters. Footage of Cassady is rare and unusual to see, most of it is out-of-focus, low-quality film shot by the Pranksters during one of their various road trips. It's too bad that he has nothing more than a supporting role in this clip.

Joan Baez and Phil Spector - You've Lost that Loving Feeling

This one ranks right up there with Patti Smith doing You Light Up My Life for weird, unexpected pleasure. The night, as the promo poster has it, "when the in crowd turned out to see the in crowd." Filmed at The Moulin Rouge Club in Los Angeles, sometime in 1966, and released in October of that year. A very nervous - or stoned, he appears to be holding a joint - Donovan introduces Joanie who does maybe not the best version of The Righteous Brothers classic, but certainly pulls off a journeyman's job, and it's nice to see her attempting to work out of her comfort area.

It made me wonder whether the idea for the cover came out of her recording sessions with brother-in-law Richard Farina, who was producing a so-called "rock-'n-roll" album for her at the time of his death, the same year as The Big T.N.T Show was filmed. Baez ultimately decided not to release the sessions, citing that the material was too different in style for her, and not very good. But it's more likely simply to have been that Phil Spector, who is backing Joan on piano, co-wrote the song, and produced The Big T.N.T. Show.

As well as Baez, Spector, and Donovan, the Byrds, Ray Charles, Petula Clark, Bo Diddley, The Lovin' Spoonful, David McCallum - who was a teen heart throb at the time thanks to The Man From U.N.C.L.E. and conducted a big band version of Satisfaction - Roger Miller, The Modern Folk Quartet, the Ronettes, and Ike and Tina Turner all appeared in the 93-minute concert film. Notables in the audience included Frank Zappa and Series of Tubes favorite, Sky Saxon of the Seeds. The Big T.N.T. Show occasionally shows up on one of the cable channels, usually when TMC or the like is having a rock-and-roll theme night. If you get the chance to catch it, go for it.

Bob Dylan and Suze Rotolo

A nicely-done fan created slideshow from a series of photographs taken of a very young Dylan and his then girlfriend, Suze Rotolo. It's obvious that Dylan was on a full James Dean kick at the time, especially in the scholarly poses with glasses, looking just like a studious Dean. According to Joan Baez, Dylan's eyesight was so poor he could barely see anything without glasses, but seldom wore them, even when driving.

Rotolo is now an artist who teaches at the Parsons School of Design in New York City. After decades of relative silence about her relationship with Dylan, Rotolo has given several interviews in recent years discussing their time together in Greenwich Village. She and her husband also were involved in putting on a memorial event for Dave Van Ronk after the singer's death in 2002.

Rotolo has a memoir coming out in 2008 - A Freewheelin' Time: A Memoir of Greenwich Village in the Sixties - described as a "wonderfully romantic story of their sweet but sometimes wrenching love affair and its eventual collapse under the pressure of Dylan’s growing fame."

Rani Arbo & daisy mayhem: Farewell Angelina

Farewell Angelina is one of those songs -- and Dylan certainly wrote more than one of them-- where an early challenge any singer has to face is, who the heck is this person singing the song? What point of view is this, and how does it all work together? Then there's the music to underpin it, to help the words make sense-- or words to help the music make sense, if you will. Here's Rani Arbo coming up with her unqiue approach to those tasks backed by an arrangement by Anand Nayak, the guitar player you see here. Other members of daisy mayhem are Scott Kessel on percussion and Andrew Kinsey on bass. The band has recorded the song on their latest CD, which is a really excellent bit of acoustic music, songwritng, harmony, and other fine stuff. It is called Big Old Life.

Patti Smith - You Light Up My Life

Not a typo, no. and not from some alternate universe. Patti Smith doing an irony-free cover of the Debby Boone chestnut.

I love Patti, and the interview she gives on Kids Are People Too before she sings is a primo example of why. Smith is someone who is so in love with the idea of rock-and-roll that when she embraced it, it in turn it embraced her.

James Van Streeter And His Wig Poppers

Not Illinois Jacquet as the YouTube title claims, who in style and looks he does somewhat resemble, but James E. Streeter, who billed himself Germanically as both "Van" and "Von" Streeter with several members of his wonderfully-named band, The Wig Poppers, who for the purposes of the movie are going under the group alias "The Fisherman."

This is a scene from the classic 1950 noir film, D.O.A., and might have been Streeter's breakout opportunity, but his cuts were unusable for the soundtrack and were overdubbed by another saxophonist. Streeter, a heroin addict, would die in 1960.

Karen Dalton - God Bless the Child

Good news for fans of the lady - Karen Dalton - who Dylan called one of his favorites when he was performing at the Cafe Wha?. There's a new 2-CD set coming out chronicling Dalton's 1962 performances at a Boulder, Colorado club.

According to the latest news Cotton Eyed Joe will be released - at least in Europe - on August 27, 2007. No word from the U.S. distributors, Delmore Recordings, on their release, but hopefully around the same time frame. The U.S. package reportedly will include a DVD with "live footage of Karen Dalton circa 1969-70." This appears to be the material from a French documentary that was included on the 2006 European re-release of Dalton's album, In My Own Time, but was not part of the U.S. package. The clip above of Dalton doing God Bless the Child is from that documentary, as is the earlier clip we posted of Dalton doing It Hurts Me Too.

Eddi Reader: My Love Is Like a Red Red Rose

Really, this needs no words from me (though I'll have more to say about Eddi Reader later on). Just listen.

Merv Griffin - I’ve Got a Lovely Bunch of Coconuts

With The Freddy Martin Band. Griffin's hit of 1950, composed in 1944 by Fred Heatherton, an English songwriter, celebrating the traditional coconut shy of funfairs. For non-British readers, a "funfair" is the English equivalent of a traveling carnival and "coconut shy" is a game of throwing wooden balls at a row of coconuts balanced on posts.

The song was originally sung and a hit for Danny Kaye during the same year.

I spent many an afternoon after school watching The Merv Griffin Show and Griffin regulars such as Arthur Treacher, Jack Sheldon, and perennial audience member, Mrs. Miller. Although usually considered an also-ran against the Carson Tonight Show juggernaut, I'm pretty sure my first exposure to such powerhouse comedians as Dick Gregory, Richard Pryor, and George Carlin was through The Merv Griffin Show. Apropos of nothing except that every one of her appearances stuck in my memory, I also first saw "Moms" Mabley on the Griffin show, pretty much at the nadir of her career by that time, later learning that she at one time had been one of the most successful entertainers of the black vaudeville circuit, earning $10,000 a week at Harlem's Apollo Theater at the height of her career.

I also remember the infamous Abbie Hoffman appearance in April 1970, where censors blacked/blurred out Hoffman's torso, so viewers couldn't see the American Flag shirt Hoffman wore. Interestingly, a thread here indicates that the original tape of that appearance was either, lost, stolen, or purposedly destroyed.

Griffin died this Sunday at age 82.

Fairport Convention - Si Tu Dois Partir/Bob Dylan - If You Gotta Go, Go Now

Here's an obscure nugget, Fairport Convention doing a French/Cajun version of Dylan's "If You Gotta Go..." written in 1965, but never officially released until 1991's The Bootleg Series Volumes 1-3. It was covered by Manfred Mann, and appeared as a track on the first rock-and-roll bootleg, Great White Wonder. As to the story behind Si Tu Dois Partir, according to the (Mostly) English Folk Music site:

The story goes that Fairport Convention was playing a gig at the Middle Earth and thought it would be amusing to do Dylan's song in French cajun style, so the band called for volunteers from the audience to help with the translation. Richard Thompson: “About three people turned up, so it was really written by committee, and consequently ended up not very cajun, French or Dylan.”

And here's Mr. D. doing the original...

Timi Yuro - Hurt

While I don't agree with the anonymous commenter's assessment of Janis Joplin in the earlier video, I appreciate his/her opinion - we appreciate anyone taking the time and care to comment, btw, whether we agree with you or not- and for his/her reminding me of the great, underappreciated Timi Yuro (born Rosemary Timotea Yuro).

Here's a clip of Yuro performing her classic Hurt, accompanied by a slide show of photos and album covers. There's also a video of an older Yuro performing Hurt available on YouTube, but I think I prefer hearing her at the height of her powers.

Hurt was originally recorded in 1961 when Yuro was only 21 years old, and charted to #4 in the U.S. In `62 she'd have another hit, What's A Matter Baby (Is It Hurting You?) which went to #12 on the Billboard charts, and was mixed by Phil Spector, although Yuro and Spector reportedly battled throughout the song's creation. Her obituary in the Guardian Unlimited noted that,

A subsequent single, The Love Of A Boy, was arranged and co-written by Burt Bacharach, but she refused to sing a follow-up, What The World Needs Now, in the way he wanted. The song became a hit for both Dionne Warwick and Jackie DeShannon.

In 1963, Yuro released Make the World Go Away, an album of country and blues standards, that includes the title song by Hank Cochran, and songs by Willie Nelson.

Yuro would leave the music business after her marriage in 1969. She'd stage a comeback in the `80s, but would be diagnosed with cancer and eventually succumb to the disease in 2004.

The Makem Brothers

Remembering Tommy Makem, as we have been recently, here is a video from some years back, although it is undated on YouTube. Tommy Makem introduces his sons, Shane, Conor, and Rory, and friend Brian Sullivan to sing sea songs. These days, the Makem Brothers perform with the Spain Brothers at festivals and on record, still carrying on the music.

altan and mary black: green grow the rushes

Mary Black, Altan, and Paul Brady at the Royal Concert Hall in Glasgow...that'd be a dream gig, you'd think and it was. This was in January 2006 and I had the good fortune to be there. Mairead, lead singer and ace fiddler with Altan, was losing her voice though, which had Mary stepping in for more singing than she'd planned -- and that's why she's got the lyrics written out on a page here. Burns song in the heart of Burns country as a last minute fill in with someone else's band and arrangement -- it was actually delightfully informal to see her glancing at the lyrics now and then in the midst of this big deal concert and never missing a beat.
A gig not to be forgotten, and this excerpt from the BBC coverage brings bit of it home.

Tom Jones and Janis Joplin - Raise Your Hand

Tom Jones and Janis doing a powerhouse version of Raise Your Hand that feels like it may have moved the studio by a few inches. Erroneously dated "1970" in the roll, it was taped on September 21, 1969 and broadcast December 6th of that year. She'd be gone less than a year later at age 27.

They're backed by the band that Janis formed after leaving Big Brother that never had an "official" name, but came to be known as the Kozmic Blues Band, after the title of the only album they'd record with Joplin. Reports had it that Janis had wanted the full Stax/Motown/Aretha Franklin sort of sound for her new band, but - an untrained vocalist - she had a tendency to try to shout over the horns, and was blowing her voice out in live performances. She'd retire the Kozmic Blues Band and form her final group, Full Tilt Boogie, in May of 1970.

Janis Joplin died on October 6, 1970 in Hollywood, CA of a heroin overdose while cutting her final album Pearl with Full Tilt Boogie. It's useless to speculate what might have become of Joplin had she lived. 37 years from 1970 she'd be 64, maybe a happy retired grandmother, maybe - like some of her peers - still singing the blues to an older, appreciative crowd. But instead we have her frozen on film and tape and disc and vinyl, eternally 25, 26, 27, heading full tilt towards October 6, 1970.

I miss her awful.

Moonshiner - Bob Forrest/ The Bottle Song - The Clancy Brothers

I’ve been a moonshiner
For seventeen long years.
I’ve spent all my money
On whisky and beer.
I go to some hollow
And set up my still,
An’ if whisky don’t kill me
Then I don’t know what will.

I go to some bar room,
And drink with my friends,
Where the women can’t follow
And see what I spend.
God bless them pretty women
I wish they was mine,
Their breath is as sweet as
The dew on the vine.

Let me eat when I’m hungry
Let me drink when I’m dry,
Dollars when I’m hard up
Religion when I die.
The whole world’s a bottle
And life’s but a dram,
When the bottle gets empty
It sure ain’t worth a damn.

I'm not familiar with Bob Forrest, but found his performance of Moonshiner after learning that his version will be included on the soundtrack of the upcoming Dylan biopic I'm Not There.

Sometimes mistakenly attributed to Dylan, Moonshiner is a traditional song known under various titles, including Moonshiner Blues and The Bottle Song. Dylan recorded his bleak, disillusioned arrangement - faithfully replicated by Forrest - in 1962, but the song was not officially released until 1991's Bootleg Series Volume 1. The song also appears on various bootlegs, most originating with the so-called Gaslight Tape of 1962.

Here's a different, upbeat take on Moonshiner, performed by the Clancy Brothers and Robbie O'Connell. It's possible Dylan first heard the song from the Clancys, and decided to come up a 180 degree different arrangement.

Singing in Scots: Julie Fowlis

Julie Fowlis, from North Uist in the Outer Hebrides, has proved one of the fastest rising young stars of Gaelic music in the last three years. This is a sort of home video version, certainly, of a gig in Dingwall, Scotland. The ending sounds like the tape was out of timing, but that's a minor flaw. Along with the video of Cathie Ryan singing in Irish, below, it does give you an idea of what singing in the Celtic languages is like when done by two of the best at it. Even if you've no clue what they are talking about, they hold your attention and they communicate. Whether or not that helps you think about the Dylan project, that's up to you.

More good stuff on Scots music at http://www.bbc.co.uk/scotland/music/celticconnections/

Singing in Irish: Cathie Ryan

Fred (and other readers),
I'm going to have to think about that a bit to come up with a comment about Bob Dylan in Scots Gaelic.Many Irish and Scots artists have covered Dylan -- but they usually sing in English. Really fine versions of Dylan songs by Mary Black, Altan, Danu, Dervish, many others.


While I am thinking about this, I would not want you to be without a video. The people in your post are talking of Scots Gaelic, and she's singing in Irish, of which Scots Gaelic is an offshoot, but anyway, here is a link to a quicktime video of Cathie Ryan singing PeataBeagDoMhathar.

Gaelic is the Loving Tongue

I'm breaking my self-imposed rule, as there is no music video connected with this one - yet - but I found the story so fascinating that I decided to post it anyway. And it looks like it would be perfect for my colleague, Kerry's, plate.

via Northings - the Highlands and Islands Art Journal - comes this fascinating, if occasionally dense, article by Rody Gorman, a Skye-based Gaelic translator and poet. Unfortunately, the main body of the article is in PDF format, which requires you to use Acrobat Reader to open. I hope Rody or someone eventually puts this into HTML. I volunteer to do it gratis if you're reading this, Rody.

Inspired by Roddy Woomble's Ballads Of The Book project melding the talents of the contemporary Scottish writing and music communities, Woomble and Gorman are working on a spin-off to produce a CD of Bob Dylan songs translated and sung in Gaelic. Here's an excerpt of Gorman's translation of Dylan's Buckets of Rain.

Sileadh (Buckets of Rain)

Sileadh gun euradh, sileadh nan deur,
Cur thairis le sileadh, mo thruaighe gheur,
Sileadh on ghealaich na mo chròg.
Bheir mi dhut gaol gu sìorraidh, mo rùn geal òg.

- Translation © Rody Gorman, 2007

Even though I know more Yiddish than Gaelic, I can hear those words singing in my head.

Well worth the hassle of loading the PDF file and dealing with the article's occasional academic rat-hole digression, Gorman explores and translates Dylan songs including Knockin' On Heaven's Door, and It Takes a Lot to Laugh, It Takes a Train to Cry, and a few older songs where Dylan's music has its roots, such as Corrina, Corrina.

It's hard to tell from the article how close Gorman is to making the CD reality. Have any takers, Kerry?

Bob Dylan - Positively 4th Street Unreleased Video Promo

I haven't researched this one thoroughly, but the original poster claims it to be an unreleased video originally created to promote Dylan's single release of Positively 4th Street. Since that single was released in 1965, the first thought to occur to me was, "a promo for where?" What venue would Columbia possibly have used this for in 1965? Certainly not television. For a sales meeting? It looks more like a promo for either Don't Look Back, or even No Direction Home, as most of the visuals appear to be from the 1965 tour, and it appears way too modern to have been released in `65. The opening few seconds are Dylan doing a sound check of Tell Me, Mama in an empty hall, which looks like it's direct from the Manchester Free Trade concert.

In any case, it's a somewhat weird, even creepy, video, with near-hysterical Beatlesque-type fans, people noting their distaste for Dylan, people claiming to be friends of Dylan, one person claiming to be Dylan. A pretty accurate reflection of that insane time, I would guess, but understandable why it was shelved if it's real.

More on this as I come across it

Michael Boston - Steel Bars

Because we love - and listen to - our readers here at Series of Tubes, here's an excerpt of Mr. Bolton performing Steel Bars in Dublin - the somg he co-wrote with Mr. D. :-)

And you can find the full lyrics at Dylan's site.

Old Crow Medicine Show - Wagon Wheel

Bob Dylan has done a number of songwriting collaborations over the years with partners as varied as Jacques Levy to Michael Bolton. There's even been some imaginary Dylan collaborations, such as his mythical team-up with ex-Monkee Mike Nesmith to supposedly create Nesmith's song Rio.

Here's a real Dylan collaboration with an unusual twist. Dylan originally developed Rock Me, Mama, a.k.a Wagon Wheel, during the 1973 studio sessions for his under-appreciated movie soundtrack album - Pat Garrett and Billy the Kid. As with many of the songs recorded during the Mexico City and L.A. sessions that produced the movie's soundtrack, Wagon Wheel never was completed much past a basic melody and the refrain,

"Rock me, mama, in the wind and the rain,
Rock me, mama, like a southbound train.
Rock me, mama, anyway you feel.
Rock me mamma, like a wagon wheel."

As noted in a Wikipedia article, the inspiration for Rock Me, Mama probably derives from Arthur "Big Boy" Crudup's original song of the same name, although I couldn't find any evidence of the writer's assertion that any version of Crudup's original ever contained the line, "roll me like a wagon wheel."

In any case, Dylan's take on Rock Me, Mama was left off the final release of Pat Garrett and Billy the Kid, but surfaced in the bootleg Peco's Blues [sic], which can also be found under the alternate title Lucky Luke. As an aside, if you can lay your hand on the bootleg under either name, the completist Dylan fan will probably find it rewarding, as it contains several nice instrumentals that never made it to the finished album, plus lots of studio chatter from the recording sessions.

Ketch Secor, a member of one my favorite Americana/Roots groups Old Crow Medicine Show, must have come across Rock Me, Mama at some point and revised/finished the song under the title Wagon Wheel. The adaptation was obviously done with Dylan's blessing, as the copyright reads: Wagon Wheel by Bob Dylan and Ketch Secor (Bug Music, BMI).

The band apparently was performing a version of the song as early as 2001; one of its first uses was to commemorate Dylan's 60th birthday during an OCMS live performance in Nashville. Wagon Wheel was officially released on Old Crow Medicine Show's 2004 album, O.C.M.S. The song was one of the hit singles of that hit album (and a major hit among Americana fans, selling well over 100,000 copies), and numbers among its fans Garrison Keillor, who regularly requests Wagon Wheel during Old Crow Medicine Show's frequent appearances on A Prairie Home Companion.

The above is the "official" video of Wagon Wheel, with a slightly ribald 1800 hootchie-cootchi flavored carnival theme. As a special bonus, look for a cameo by OCMS friends and sometimes collaborators, Gillian Welch and David Rawlings.

455 Rocket: Kathy Mattea

Several posts back, Fred told us of his respect for singer and songwriter Gillian Welch.. Country Grammy winner Kathy Mattea also likes Welch’s writing. Mattea, who’s been known to sing deeply serious, thoughtful material, also thinks songs which make make you laugh are just as important, and she’s recorded a few of those, including this video of Welch’s 455 Rocket. Embedding has been turned off but you may view that here.
Welch and David Rawlings join Mattea for the video.




On the more serious side, Mattea’s current project, due out in early 2008, is a CD of coal mining songs, which bring together the West Virginia native's love of music, family history, and concern for the environment. More on this project, called simply Coal, at her website.

Anita O'Day - Let Me Off Uptown

There's a new documentary out on Ms. O'Day: Anita O'Day - The Life of a Jazz Singer - that is getting good reviews and probably well worth hunting down if you're lucky enough to live somewhere slightly less rural than New Hampshire. The last documentary that played in my home town was Our Friend, the Beaver at the Grange Hall. I also recommend Anita O'Day's gritty, noirish biography, High Times, Hard Times.

Bryant Gumbel: "Your personal experiences include rape, abortion, jail, heroin addiction..."

Anita O'Day: "That's just the way it went down, Bryant."


Here's the trailer for Anita O'Day - The Life of a Jazz Singer

Tommy Makem - Four Green Fields

In August 1969, Makem went to sing at the Free Derry Fleadh, a festival meant to give some hope to the people of a town he loved so well, a town that bore the brunt of the bloodshed and battered heads of the Troubles. I've talked to maybe 20 people from Derry over the years who say that hearing Makem's version of "Four Green Fields" was their last great memory, before the north of Ireland descended into complete madness.

Kevin Cullen - The Boston Globe, August 2, 2007

Full article

Bob Dylan - Spirit on the Water, Bethel Woods, NY

Neither "over the hill" nor "past his prime," as the crowd-pleasing lyrics have it, Dylan in 2007, in full Vincent Price mode.

The fan-shot video is one of the better I've seen, not shaky, complete, and with some great close-ups. Note the (wedding?) band Dylan is wearing on his ring finger, which you can spot when he pulls out his harmonica towards the end of the song. Lots of speculation about that ring, which appeared on Dylan's hand sometime around the 2006 baseball stadium tour.

The Clancy Brothers & Tommy Makem - When The Ship Comes In

via Bloomberg News:

Aug. 2 (Bloomberg) -- Tommy Makem, the musician, singer and master storyteller who teamed with the Clancy Brothers to popularize traditional Irish folk music around the world, has died. He was 74.

Makem died in New Hampshire yesterday from lung cancer, according to a posting on his Web site.

Playing banjo, tin whistle and singing in a deep baritone, Makem was known as the ``Godfather of Irish music'' for bringing Irish culture to mass audiences. His original songs, such as ``Four Green Fields'' and ``Gentle Annie,'' have become Irish folk music standards.

``He was a great entertainer,'' his lifelong collaborator Liam Clancy told RTE state radio, ``He had a knack of making an audience laugh and cry, holding them in the palm of his hand.''

Working with the Clancy Brothers -- Liam, Tom and Paddy -- Makem shot to fame in the late 1950s and early 1960s, playing to sold-out audiences at New York's Carnegie Hall and London's Royal Albert Hall. They appeared on the ``Ed Sullivan Show,'' ``The Tonight Show'' and every U.S. television network, making them at one time ``the four most famous Irishmen in the world,'' according to Makem's Web site.

A Post From Your Host

We received an email from our ad serving company - Revlayer - yesterday, noting that they've suspended their Beta, pulling the product in for "additional development," and in fact they have even taken their site off-line. So for the immediate future videos on Series of Tubes will be ad-free, although we'll still be showing ads on the right column.
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Personally, out of many ad solutions I've tried and tested, I liked revlayer, which I thought fairly inoffensive. From a technical side, they seemed to have some problems displaying the ads - you'd sometimes see naked code, links wouldn't work properly, and so on. And they definitely need more work on the customer support side. I still have no idea whether I earned any money or not (I suspect not) over the Beta.

But, as the saying goes, it was a Beta. I hope that this isn't dissembling and that they will be back.

Saltwater Music: Del Suggs

Del Suggs was born on the Florida Gulf Coast, and that saltwater connection has influenced his music all his life. Jimmy Buffet meets James Taylor, with maybe a dash of Steve Martin thrown in for laughs, is what you may think if you chance on a Del Suggs show. In this clip, he tells of a character from a bit further west along coastal waters. Bayou Josie is her name.

WFSU outloud: Del Suggs & Friends - Bayou Josie

Chuck Parker, Pete Winter, and Danica Winter are among the friends who sit in on this gig, from the studios of WFSU -TV.

Bob Dylan - I Threw It All Away; Living the Blues; Girl from the North Country

Note that the first few seconds of this 9-minute clip - Johnny Cash's introduction of Dylan - has no audio. Mislabeled on Google Video as simply the duet of Girl from the North Country with Johnny Cash, this is actually Dylan's full May 1969 performance at the legendary Ryman Auditorium in Nashville for The Johnny Cash Show.

As with the One Too Many Mornings clip below, this shows Dylan in full "new" country-western voice that he'd use for Nashville Skyline and for many of the songs on 1970's Self Portrait where the very Hank Snow-like Living the Blues would appear.

Dylan seems very nervous throughout, licking his lips between songs, looking everywhere except at the the audience. Probably not all that surprising as it was only Dylan's second public performance after his 1966 motorcycle crash (in 1968 Dylan had performed at a tribute for Woody Guthrie in New York City, and later in 1969 he would take the stage again for the Isle of Wight Festival). Added to that was the pressure of his performing in front of a Nashville audience that might react poorly and the risk Dylan was taking of alienating his core audience with this radically changed approach to his music.

After the show, a visibly relieved Dylan returned to Johnny Cash's house with a group that included Earl Scruggs, Graham Nash, Nash's then-girlfriend Joni Mitchell, and Kris Kristofferson. Nash recalls Sara Dylan sitting there crying at the drama of the moment.

I'm not just making them jiggle around

And indeed he is not. Alternately fascinating, funny, and creepy, "christhrash's" hobby is reprogramming audioanimatronic robots - which originally were used as entertainment in pizza parlor venues - to do rap performances. The level of work he's put in to get the robot's movements coordinated to the music is amazing. You can find several more of christhrash's videos at his YouTube Space.

Bob Dylan & Johnny Cash - One Too Many Mornings

From the Nashville Skyline recording sessions, February 17, 1969 in Nashville, Tennessee. The video is probably from either the documentary Johnny Cash: The Man And His Music, released in 1979 or The Other Side Of Nashville, released in July 1984.

The Cash/Dylan sessions over February 17-18 generated only one commercial release on Nashville Skyline, a duet of Dylan's Girl From The North Country, which had originally appeared on The Freewheelin' Bob Dylan, but most - if not all - the material from the sessions have appeared on various bootlegs over the years. This excerpt from a comment on the Between Thought and Expression blog details an interesting history of the origin of the bootleg material:

"... A little history about the source: These were bootlegged in the late 70s or early 80s in poor quality. In 1985 or 86, my friend, Chris D., worked in a video store in Nashville (I lived near there). I had helped him get some space shot videos from NBC, so to return the favor, he called one day and asked if I wanted a cassette of the Cash session. He got it from a guy who found it in his attic, in a box marked "BDJC". That guy's father worked for CBS Nashville in 1969 and made a 1 inch mono reel-to-reel copy of the original session tape. He made Chris a cassette from the 1 inch tape. Chris copied the cassette, and gave me the original. In the fall of 1986, I went to a Dylan collectors meet in Chicago, and we daisy-chained 15 cassette decks together. I was second in the chain, and everyone past me copied my tape. By then, I had added the second "One Too Many Mornings" and the three songs from a betamax tape of the JC TV show, so this CD is one generation down from my original cassette. The original bootleg CD came out about two months later. "Mornings" has a tone shift in the middle, from the video when they change from the studio footage to the control room footage..."

The Sins Play the Church

The all star, all female group of Boston musicians known as the Deadly Sins get together for a lively instrumental during the Boston Celtic Music festival in January, 2007. The concert was held at First Church on Harvard Square. About the name? At first there were seven, but the group grew...

The Deadly Sins are: Shannon Heaton (flute, vocals), Laura Cortese (upright bass, fiddle, vocals), Hanneke Cassel (fiddle, piano), Lissa Schneckenburger (fiddle, vocals), Tina Lech (fiddle), Kieran Jordan (dance, percussion), Natalie Haas (cello), and Emma Beaton (cello).

Freight Train - Elizabeth Cotten

Elizabeth "Libba" Cotten, a self-taught blues and folk guitarist. As a child, she played the guitar upside down, since she was left-handed, requiring her to play the bass lines with her fingers and the melody with her thumb. By her early teens she was writing her own songs, including what would become her signature song, Freight Train.

As he mentions during her interview with Pete Seeger in another YouTube video from the same 1965 Rainbow Quest show, Cotten had stop playing her "ragtime" music due to her church's influence, and limited herself to the occasional church performance. However, she began public performances again after being "discovered" by the Seeger family while working for them as a housekeeper. As she notes in the interview, Cotten found the lost Peggy Seeger wandering through the aisles of a department store and crying for her mother. It was an opportune encounter. Cotten would eventually go to work for the Seegers, and picked up her guitar again.

Cotten's songs have been covered by the Grateful Dead, Taj Mahal, and Bob Dylan among others. Cotten was declared a National Heritage Fellow by the National Endowment for the Arts in 1984, and was recognized by the Smithsonian Institution as a "living treasure." She received a Grammy Award in 1985 when she was 90. Cotten passed away at age 92 in 1987.

The Seeds - Pushin' Too Hard

As a commenter notes on YouTube, "Before Green Day, before Casualties, before Black Flag, before The Clash, the Sex Pistols, the Ramones. Before even the New York Dolls and the Stooges, there was the Seeds."

Muddy Waters once called them "America's own Rolling Stones." The Seeds were lead singer and bass guitarist Sky Saxon, keyboardist Daryl Hooper, guitarist Jan Savage and drummer Rick Andridge. Pushin' Too Hard was The Seeds only national Top 40 hit, charting in 1966.

Sky Saxon later joined the Yahowha religious sect, and released several albums as Yahowha 13 in the mid 1970s. Leader of the sect, Father Yod, later known as Ya Ho Wha, died in a hang gliding accident in 1974. Saxon continues to collaborate with various members of the Yahowa to this day. He may have one of the most minimalist sites on the web. Here's a link to Sky Saxon's site.

Everly Brothers - All I Have To Do Is Dream

written by the husband and wife songwriting team of Felice and Boudleaux Bryant, who were something of a songwriting machine for the Everly Brothers, writing Wake Up Little Susie and Bye Bye, Love as well as All I Have to Do is Dream. Both Bye Bye, Love and All I Have to Do is Dream would chart at #1 on Billboard's Pop, R&B and Country Western charts in 19 and 57.

the foggy dew

The Foggy Dew is a classic sing around the campfire folk song, variously seen as lover’s lament or the tale of a rake, traveling from England and Ireland to America as the tale of a weaver who does nothing wrong but keep a maid from the foggy dew, and gets a son in the bargain. Tim O’Brien has even made it into a bit of a swing tune when he performs it.

There’s another side to the story though. There’s some argument as to who exactly wrote the words, but a song about the Easter Rising in 1916 in Ireland was set to the familiar folk tune. That’s the one Frances Black has included on her latest release. This Love Will Carry. Black says, by the way, that this is one of her husband's very favorite songs that she does, and when they travel on long car trips together it's always one he asks her to sing. It is one of three new songs on This Love Will Carry, which is otherwise a two disc retrospective collection.


video of Frances Black’s version of The Foggy Dew

"Thriller" as performed by inmates of the Cebu Provincial Detention and Rehabilitation Center

The title says it all.

"I Saw the Best Minds of My Generation Destroyed by Madness"

View Trailer Note: Requires that you have QuickTime installed.







via allenginsbergmovie.com

The Life and Times of Allen Ginsberg documentary now on DVD. A 2-DVD set with interviews of Joan Baez, Beck, Bono, Stan Brakhage, William Burroughs, Johnny Depp, Philip Glass, Abbie Hoffman, Jack Johnson, Ken Kesey, Timothy Leary, Paul McCartney, Jonas Mekas, Thurston Moore, Yoko Ono, Lee Ranaldo, Ed Sanders, Patti Smith, Hunter S.Thompson, Andy Warhol, and others. And includes:

- The Making of The Life and Times of Allen Ginsberg
- Bob Dylan and Allen Ginsberg at Jack Kerouac's Grave (notes: this would be the first "official" footage from Renaldo and Clara since Dylan withdrew the film
- William Burroughs and Allen Ginsberg at Naropa University
- Ginsberg reading selected poems
- Neal Cassady and Allen Ginsberg at City Lights Bookstore

The set can be purchased from the site above or from the usual venues.

Nina Simone at The Bitter End - 1968

As I prepare the next Dreamtime podcast on The House of the Rising Sun, here's a clip of one of my favorite covers of the song, Nina Simone performing at the Bitter End, in 1968. The text roll at the beginning made me smile and feel old simultaneously... "`60s-style Black power at its most lashing." Simone also performs Go to Hell, which may better fit the "Black power" tag

Bob Dylan - 1st TV Appearance - Blowin' in the Wind

It's not really Dylan's "first" television performance; that would be the lost "Madhouse on Castle Street," broadcast in 1962, which also included the first broadcast of Blowin' in the Wind, but the above is Dylan's first U.S. television performance, on "Folk Songs And More Folk Songs," broadcast on WBC TV in May 1963.

Hanneke Cassel: reels

Speaking of Hanneke Cassel (see Cathie Ryan post, below) she's a very fine fiddle player and composer, and the former US Scottish national fiddle champion -- and an amazing player to see live. This is from a gig at the historic Club Passim in Cambridge, Masschusetts, in May of 2006

For some reason the embed function doesn't seem to be working consistently.
here's the link, too

Joni Mitchell Before She Was Joni Mitchell

An amazing clip from 1965, Joni Mitchell née Anderson, performs the unreleased Born to Take the Highway on the Oscar Brandt hootenanny show. In `65, Mitchell's career - and life - were about to take off at lightspeed. An unwed mother, she gave birth to a girl in February 1965, and married Chuck Mitchell, who was not the father. Mitchell would give the baby up for adoption, which is another story. By 1966 she and Chuck Mitchell were divorced, and Joni, keeping his last name, was on the highway to becoming Joni Mitchell.